10. [1]​ Es una de las series que pintó Picasso como tributo a varios artistas que admiraba. 41-42 (illustrated in color, p. 48; detail illustrated in color, p. 49; illustrated in color again in situ in the Ganz household, pp. Boggs, Picasso and Things, exh. Nashashibi, Forces of Change: Artists of the Arab World, exh. 26, 27 December 1968, p. 14 (illustrated in color, p. 15). Picasso comenzó a pintar una serie de variaciones libres sobre el cuadro «Mujeres de Argel en su apartamento» de Delacroix en diciembre de 1954, seis semanas después de conocer la muerte de su amigo y rival Henri Matisse, ya que para Picasso, el tema «oriental» tenía una fuerte relación con Matisse y Delacroix. 354-355 (illustrated, p. 355, fig. 47. PROPERTY FROM A DISTINGUISHED PRIVATE EUROPEAN COLLECTION, Auction records set for Sanyu, Dana Schutz, Nguyen Phan Chanh and other great artists as Christie’s continues to reimagine the auction concept, The senior curator of the Isamu Noguchi Foundation and Garden Museum on Noguchi’s work in relation to light, physics and Futurism. La toile «les femmes d'Alger» de Picasso vendue à prix record. P. Esteban Leal, Picasso: Las grandes series, exh. 86-87). A. Baldassari, et al., Picasso: Ses maîtres et ses héritiers, Paris, 2008, p. 95 (illustrated in color). R. Penrose, Picasso: His Life and Work, London, 1958, pp. 13, 114, 126 and 143, no. 159 (illustrated in color). F. Russoli, "Tra le due guerre: La libertà espressiva nella conquista del vero" in L'Arte Moderna, vol. Sarah Crompton, writer and broadcaster. J. Canaday, "Picasso" in Horizon, vol. Matisse era famoso por sus imágenes de mujeres lánguidas y voluptuosas conocidas como odaliscas, las mujeres de los harenes turcos. R. Rosenblum, "Guerra y paz: La antigedad y el último Picasso" in G. Tinterow, ed., Picasso clasico, exh. London, Tate Gallery, Picasso, July-September 1960, pp. Picasso's line work in Les Femmes D'Alger is quite bold, but not entirely rigid. 98, no. 18 (illustrated). El fondo Steinberg compró el cuadro para la universidad en 1960. J. Hobhouse, The Bride Stripped Bare: The Artist and the Female Nude in the Twentieth Century, New York, 1988, p. 131 (illustrated in color, pl. B. Léal, C. Piot and M.-L. Bernadac, The Ultimate Picasso, New York, 2000, pp. 2, April-May 1980, p. 60 (illustrated in color; detail illustrated in color on the cover). W. Spies, ed., Picasso: Painting Against Time, exh. L. Steinberg, Other Criteria: Confrontations with Twentieth-Century Art, New York, 1972, pp. E.F. Fry, "Modern Art's Old Master: The Legacy of Picasso, Part I" in Portfolio, vol. 3, March 1983, p. 44 (illustrated in color). Description: * Sale: * Price: Sold for 179,365,000 USD Premium ? J. Barrachina, et al., Picasso: Museo Picasso, catálogo de pintura y dibujo, Barcelona, 1984, p. 697 (illustrated). Acquired at the above sale by the present owner. S. Gohr, Pablo Picasso—Leben und Werk: “Ich suche nicht, ich finde. 159). 251-254 (illustrated, p. 252). Jaffé, Pablo Picasso, New York, 1983, p. 118 (illustrated in color, p. 119). M. McCully, ed., A Picasso Anthology: Documents, Criticism, Reminiscences, Princeton, 1997, pp. "Room Around Picasso" in Vogue, vol. 223-234 (illustrated, p. 231, fig. Gedo, Picasso: Art as Autobiography, Chicago, 1980, pp. J. Thompson, "Six Schools—One Master" in The New York Times Sunday Mirror Magazine, 19 May 1957, p. 13 (illustrated in color). cat., Palazzo Grassi, Venice, 2006, p. 143 (illustrated in color, fig. 14-15). Sydney, Art Gallery of New South Wales; Melbourne, National Gallery of Victoria and New York, The Museum of Modern Art, Modern Masters: Manet to Matisse, April-September 1975, pp. 179 (illustrated). R. Penrose, Picasso, London, 1991, pp. P. de Champris, Picasso, ombre et soleil, Paris, 1960, p. 294 (illustrated, p. 257, pl. Paris, Musée national d'art moderne, Centre Georges Pompidou and London, The Tate Gallery, Late Picasso: Paintings, Sculpture, Drawings, Prints, 1953-1972, February-September 1988, pp. 3). Moeller, Picasso im Sprengel Museum Hannover: Druckgraphik, illustrierte Bücher, Zeichnungen, Collagen und Gemälde, exh. 24, 222 and 336, no. J. Flanner, "Letter from Paris" in The New Yorker, vol. 52, no. A. Panzetta, Picasso, Milan, 1992, no. New York, The Metropolitan Museum of Art, New York Collects, July-September 1968, p. 31, no. Les femmes d'Alger (Version 'O') signed 'Picasso' (upper right); dated '14.2.55.' VII, no. A. Sánchez Podadera, A. Romero Márquez and J.C. Jiménez Moreno, Genial Picasso, Málaga, 1995, p. 22. 11 may 2015 sells at Christie's auction for record $179,365,000 [15]​ El cuadro se vendió por 179,4 millones de dólares, gastos incluidos –el precio más alto pagado hasta entonces por una obra de arte en subasta[16]​– al antiguo primer ministro de Catar Hamad bin Jassem bin Jabr Al Thani[17]​, Esta obra contiene una traducción derivada de «. cat., Pace Gallery, New York, 2014, pp. P. Daix, Picasso: Life and Art, New York, 1994, pp. 166-167. E. Cowling, Visiting Picasso: The Notebooks and Letters of Roland Penrose, New York, 2006, pp. "Junior Critics of Picasso" in Life, vol. [14]​, En mayo de 2015, la Versión O fue subastada por segunda vez en la sala Christie's de Nueva York. 73-74. E. Genauer, "Picasso: Living Legend" in Herald Tribune Magazine, section 7, 19 May 1957, p. 6 (illustrated in color; detail illustrated in color on the cover; detail illustrated again, p. 2). D. Thomas, Picasso and His Art, New York, 1974, p. 92 (illustrated in color, p. 105, pl. Picasso also appreciated the patterning in a tiled interior, which can be seen as a continuation of his concern … Madrid, Museo Nacional del Prado, Picasso: Tradición y vanguardia, June-September 2006, p. 294, no. [1] Es una de las series que pintó Picasso como tributo a varios artistas que admiraba. II, p. 523 (illustrated in color). A. Brighton, A. Klimowski and R. Appiganesi, Introducing Picasso, New York, 1996, pp. La serie está inspirada en el cuadro Mujeres de Argel en su apartamento de Eugène Delacroix (1834). [1]​ representa una escena del harén, Este cuadro se vendió en 1997 por 31,9 millones de dólares en la sala Christie's de Nueva York. H.L.C. 88 (illustrated, p. 213). 19). 63). Munich, Haus der Kunst; Cologne, Rheinisches Museum Köln-Deutz and Kunstverein in Hamburg, Kunsthalle-Altbau, Picasso, 1900-1955, October 1955-April 1956, no. 66-67 and 69 (illustrated, p. 67). J. Berger, The Success and Failure of Picasso, New York, 1993, p. 180 (illustrated, p. 183). En mayo de 2015 fue prestada a la galería Tate Liverpool (Reino Unido). O. Granath, Pablo Picasso, exh. P. Dufour, Picasso, 1950-1968, Cleveland, 1970, p. 137 (illustrated in color, p. 89). 208). Voir plus d'idées sur le thème picasso, pablo picasso, les demoiselles d… Los interiores luminosos, las vistas sobre el Mediterráneo y el exótico jardín evocaban un sentimiento de amplitud y tranquilidad que correspondían a la idea que el pintor tenía de Oriente. It must have been something to be in the room at the Rockerfeller Center last Monday evening. This is known as a minimum price guarantee. 12 mai 2015 - Découvrez le tableau "Picasso - Les femmes d’Alger" de Slim O. sur Pinterest. C. Zervos, Pablo Picasso, Paris, 1965, vol. The series is one of several painted by Picasso in tribute to artists that he admired. [13]​, La Versión O, último cuadro de la serie, se pintó en 1955. Geschichte. Paris, Galerie Louise Leiris (Daniel-Henry Kahnweiler), spring 1955. 4). 5-17). Les femmes d'Alger (Mujeres de Argel) es una serie de 15 pinturas y numerosos dibujos del pintor cubista español Picasso. 7). cat., Sprengel Museum Hannover, 1986, p. 30 (illustrated). Esta página se editó por última vez el 9 mar 2020 a las 16:37. Subjects: Abstract. J. Fineberg, D. Leers and B. cat., Moderna Museet, Stockholm, 1988, p. 212, no. 228). 192 and 232, no. While Picasso's line work is abstract 37 (illustrated in color, p. 295). Pablo Picasso’s dynamic 1955 painting, “Les Femmes d’Alger (Version ‘‘O’’),” fetched $179.4 million, the highest … D. Porzio and M. Valsecchi, Understanding Picasso, New York, 1974, p. 269, no. M. FitzGerald and J.M. 234-235). But why is Picasso’s Femmes d’Alger (Version O), the painting The Guardian calls “a vibrant cubist work” expected to bring such a high price? Delacroix Algerian women . J.J. Luna, El museo ideal de Picasso: La colección que nunca existió, Barcelona, 2006, p. 200 (illustrated in color, p. 201). Painted on 14 February 1955. 159-160 (illustrated in color, p. 115). Me ha impresionado gratamente (…) Una serie completa de interiores de La Californie derivados mitad de Delacroix y mitad de Matisse, incidiendo en ornamentos, arabescos, simplificación (…) En resumen, como tienes intención de venir a Europa, te cuento que debes ver todo esto en el estudio: en mi opinión es mucho mejor que cualquier cosa que haya pintado desde 1946». 45b). 73. J. Leymarie, Picasso: The Artist of the Century, Lausanne, 1972, pp. 87). 162; illustrated again, between pp. En la misma subasta se vendieron otras tres versiones de la serie que pertenecían a la familia Ganz. When you buy a Happy Larry Les Femmes D'Alger Version O by Pablo Picasso Painting Print on Wrapped Canvas online from Wayfair.co.uk, we make it as easy as possible for you to find out when your product will be delivered. Ce tableau a inspiré plus d'une quinzaine de versions faites par Picasso, parmi lesquelles : Les Femmes d'Alger (version O) (1955). London, Tate Modern; Paris, Grand Palais and New York, The Museum of Modern Art, Matisse Picasso, May 2002-May 2003, pp. Las consecuencias de las Mujeres de Argel de Picasso fueron considerables: «Pensaba tanto en Las mujeres de Argel que compré La Californie» explicaba Picasso a su biógrafo Pierre Daix. 46 (illustrated in color, p. 123). G. Diehl, Picasso, New York, 1960, p. 81 (illustrated in color, p. 80). 11-14. 56 and 271, no. 197-199 (illustrated in situ in the Ganz household, p. 197; illustrated in situ again in color, p. 198). There are several instances where lines do not connect with each other, as well as lines overlapping each other. A. Mondadori, ed., Conoscere Picasso: L'avventura dell'uomo e il genio dell'artista, Milan, 1973 (illustrated in color). The Picasso Project, ed., Picasso's Paintings, Watercolors, Drawings and Sculpture: The Fifties I, 1950-1955, San Francisco, 2000, p. 283, no. 14 and 350-353 (illustrated, pl. En abril de 1956, escribió al director de museo Alfred Barr: «Recientemente pasé un día con Picasso y repasamos lo que ha hecho desde el pasado mes de julio. 1, winter 1965, p. 78 (illustrated). La romancière Assia Djebar offre une lecture du tableau dans la postface intitulée : « Regard interdit, son coupé » de son recueil de nouvelles éponyme. 215-217 and 280 (illustrated, p. 217, fig. Painted on 14 February 1955. Des Moines Art Center, Art in Western Europe: The Postwar Years, 1945-1955, September-October 1978, no. cat., Palacio Episcopal, Málaga, 1992, p. 180 (illustrated in color, p. 183, pl. La Versión C fue vendida en 1988 tras la muerte de Victor Ganz[6]​, La Versión H se terminó el 24 de enero de 1955, y se puso a la venta por 7,15 millones de dólares en noviembre de 1997 –con el resto de la colección Ganz– en la sala Christie's de Nueva York. J. Lucas, "Picasso as Copyist" in ARTnews Annual, November 1964, pp. Dallas Museum of Fine Arts, Picasso, February-March 1967, p. 97, no. New York, Cordier-Warren Gallery, Picasso, An American Tribute: The Fifties, April-May 1962, no. 137-138, 146-147 and 173 (illustrated in color, p. 147, fig. Colin Gleadell (28 de noviembre de 2006). Between 1954 and 1963 Picasso produced several series of variations on Old Master paintings including reworkings of Edouard Manet's The Luncheon on the Grass, Diego Velazquez's Las Meninas and Jocques-Louis David's (1748-1825) The Rape of the Sabine Women.The first of these series, however, examined Eugene Delacroix's … W. Spies, Picasso: Die Zeit nach Guernica, 1937-1973, exh. signed 'Picasso' (upper right); dated '14.2.55.' Victor and Sally Ganz, New York (acquired from the above, 6 June 1956); Estate sale, Christie’s, New York, 10 November 1997, lot 33. Art Description. L. Lévy, Picasso, London, 1991, pp. N. Baldwin, "Art in Western Europe: The Post-War Years" in Des Moines Sunday Register, 24 September 1978, p. 23 (illustrated in color). F. Elgar and R. Maillard, Picasso, Paris, 1955 (illustrated). Painting: Oil on Canvas. Read customer reviews and common Questions and Answers for Happy Larry Part #: HOKU5571 … [10]​, La Versión L fue adquirida por el museo Berggruen de Berlín en 2011 por 11,4 millones de dólares[11]​[12]​, La Versión M se vendió por 10 millones en noviembre de 1997 junto con el resto de la colección Ganz en la sala Christie's de Nueva York. Paris, Musée du Louvre, Picasso et les maîtres, October 2008-February 2009, p. 359 (illustrated in color, p. 215). J. Galloway, Picasso, New York, 1969, pp. La toile «les femmes d'Alger» de Picasso vendue à prix record. Jaffé, Pablo Picasso, New York, 1996, p. 148 (illustrated in color, p. 149). Les femmes d'Alger, Version O (Reflections on works by Pablo Picasso) The painting has a simple frame in wood (w: 1,5cm) Keywords: abstract painting pablo picasso Les Femmes d'Alger geometric improvisation. "Pablo Picasso: Die Kraft der späten Jahre" in Art: Das Kunstmagazin, no. 226 and 228 (illustrated, p. 227). 5 (illustrated in color, p. 155; illustrated again in situ in the 1955 Musée des arts décoratifs exhibition, p. 287). 255 (illustrated in color). R. Penrose and J. Golding, eds., Picasso in Retrospect, New York, 1973, pp. R. Bernier, Matisse, Picasso, Miró: As I Knew Them, New York, 1991, pp. Philadelphia Museum of Art, Picasso: A Loan Exhibition of His Paintings, Drawings, Sculpture, Ceramics, Prints and Illustrated Books, January-February 1958, p. 24, no. Paris, Musée du Louvre, Copier créer: De Turner à Picasso: 300 oeuvres inspirées par les maîtres du Louvre, April-July 1993, pp. 264-265). 359). 82, 1967, p. 20 (illustrated in color). 41 (detail illustrated in color, p. 10; illustrated in color, p. 126). H. Read, A Concise History of Modern Painting, New York, 1968, p. 325 (illustrated, pl. cat., Museo Nacional Centro de Arte Reina Sofía, Madrid, 2001, p. 116 (illustrated in color, p. 115, fig. 324-326 and 334. 121 (illustrated). 19, 25 June 1955, pp. 46-47 (illustrated, p. 46, pl. 65, no. 33 and 258 (illustrated in color, p. 32; illustrated again, p. 259). It’s set to break the all-time record for most expensive painting ever sold. E. Lucie-Smith, Movements in Art Since 1945, New York, 1995, p. 16. 225). J. Richardson, “The Catch in the Late Picasso” in The New York Times Book Review, 19 July 1984, p. 21. J. Beardsley, Pablo Picasso, New York, 1991, pp. New York, The Museum of Modern Art and Paris, Grand Palais, Picasso and Portraiture: Representation and Transformation, April 1996-January 1997, p. 464 (illustrated in color, p. 456). 68, no. (on the reverse) D. Widmaier-Picasso, Picasso: “Art Can Only Be Erotic,” Munich, 2005, p. 140 (illustrated in color, p. 81). New York, Sidney Janis Gallery, European XXth Century Artists, January-February 1969, no. S.G. Galassi, “Games of Wit”: Picasso's Variations on the Old Masters, Ph.D. Dissertation, New York University, 1991, no. cat., The National Museum of Women in the Arts, Washington, D.C., 1994, pp. J.-L. Andral, P. Daix and W. Spies, et al., Picasso: La joie de vivre, 1945-1948, exh. Women of Algiers in their Apartment is the title of two oil on canvas paintings by the French Romantic painter Eugène Delacroix. K. Gallwitz, Picasso: The Heroic Years, New York, 1985, pp. Paris, Musée des arts décoratifs, Picasso: Peintures, 1900-1955, June-October 1955, no. Famous painting by Pablo Picasso, Les Femmes d'Alger (Version O) (The Women of Algiers), p rinted on to a canvas and stretched around a wooden frame, a perfect edition to any living room.All our canvases are printed and wrapped with the highest quality material. 594 (illustrated in color, p. 347; with incorrect title). R. Melcher, ed., Pablo Picasso: L’oeuvre des années 50, exh. When Picasso took on Les Femmes d’Alger, he was, consciously or not, committing an act of historical closure, made particularly apposite by its timing.Delacroix’s first version of his painting in the Louvre–the one Picasso knew best—dates from the same year (1834) that France imposed colonial military … 413 and 534, no. S.M. La Versión O fue adquirida por la marchante de arte británica Libby Howie para un coleccionista saudí residente en Londres cuyo nombre no se reveló. New York, The Museum of Modern Art, Pablo Picasso: A Retrospective, May-September 1980, p. 425 (illustrated in color). W. Boeck and J. Sabartés, Picasso, New York, 1955, p. 500, no. J.-L. Ferrier, Picasso, Paris, 1996, p. 161 (illustrated in color). Pablo Picasso (1881-1973) X, no. C.-P. Warncke, Pablo Picasso, Cologne, 1995, vol. J. Camón Aznar, Picasso y el cubismo, Madrid, 1956 (illustrated in color). oil on canvas 123, 135-136 and 141-142, no. Les femmes d'Alger (Version 'O') . Pablo Picasso’s Les femmes d'Alger (Version 'O') realized $179,365,000 achieving a world auction record for any work of art during the Looking Forward to the Past Evening Sale in New York on 11 May 2015. Muchos de sus retratos de Jacqueline entre 1955 y 1956 la representan de esta forma.[5]​. cat., Nationalgalerie Berlin, 1993, p. 49 (illustrated). cat., Whitney Museum of American Art, New York, 2006, p. 236 (illustrated, fig. New York, The Museum of Modern Art and The Art Institute of Chicago, Picasso: 75th Anniversary Exhibition, May-December 1957, p. 109 (illustrated in color as a frontispiece). 159). 444, 446, 455 and 457-458. 370-373, no. A. Cirici, Picasso, su vida y su obra: La seva vida i la seva obra, Barcelona, 1981, p. 131. R. Hughes, "Anatomy of a Minotaur" in Time, vol. M. FitzGerald, ed., A Life of Collecting: Victor and Sally Ganz, New York, 1997, pp. E. Cowling, Interpreting Matisse Picasso, exh. Les Femmes d’Alger (Version “O”) was born out of a rivalry between Picasso and Henri Matisse. 178-179 (illustrated in color; with incorrect date). 244-245 and 362-363. Later works. 102-104. 44 7/8 x 57 5/8 in. El pintor compró esta casa en 1955, y fue aquí donde pintó «Mujer desnuda en una mecedora». Thought not Pablo Picasso’s most famous work, Women of Algiers (a.k.a. Paris, Grand Palais, Hommage à Pablo Picasso, November 1966-February 1967, no. 179.36 million. Picasso’s Les femmes d’Alger (Version “O”) set to star in New York. (114 x 146.4 cm.) XXIV, no. «Pablo Picasso - Les femmes d'Alger (Version "O")», «Pablo Picasso - Les femmes d'Alger (Version "H")», «International Council - Museum Berggruen», Christie's: Resultado de la subasta de «Les femmes d'Alger (Version 'O')» de Pablo Picasso, Licencia Creative Commons Atribución-CompartirIgual 3.0 Unported, https://es.wikipedia.org/w/index.php?title=Mujeres_de_Argel&oldid=124134664, Wikipedia:Artículos con datos por trasladar a Wikidata, Wikipedia:Páginas con traducciones del inglés, Licencia Creative Commons Atribución Compartir Igual 3.0. F. Orton, Figuring Jasper Johns, Cambridge, Massachusetts, 1994, pp. (44.9 x 57.6 in.) The 1955 canvas, "Les femmes d'Alger (Version "O")," sets a new bar for the contemporary art market. [3]​ Más tarde, los Ganz vendieron diez pinturas de la serie a la galería Saidenberg, manteniendo en su poder las versiones «C», «H», «K», «M» y «O».[4]​. 1006 (illustrated in color, p. 408). 80 and 247 (illustrated, p. 81, pl. Le 15 mai 2015, «Les Femmes d’Alger (Version O)», de Pablo Picasso a été adjugé, en seulement 11 minutes, à 179,36 millions de dollars (soit environ 125 millions d’euros) lors d’une vente aux enchères chez Christie’s à New York. H.L.C. 'Les femmes d'Alger, (Version "O") is the culmination of a herculean project which Picasso started after Matisse's death, in homage to his lost friend and competitor, and which over a period of two months and after nearly 100 studies on paper and 14 other paintings led to the creation of this phenomenal canvas in … Art, New York, 1968, p. 151 ( illustrated in color, fig 115 ) 132... Painting, New York, 1991, p. 105, pl and Art, New York,,... Guerre: la libertà espressiva nella conquista del vero '' in Horizon, vol femmes ’... Vanguardia, June-September 2006, pp s les femmes d'Alger ( Mujeres de Argel su... A. Mondadori, ed., Picasso, Cologne, 2006, p. (! Porzio and m. Valsecchi, Understanding Picasso, New York Palazzo Grassi, Venice 2006... Notebooks and Letters of Roland Penrose, Picasso 's Variations on the cover.! '' de Slim O. sur Pinterest 32 ; illustrated in color ) D.C., 1994,.. Legado a sus odaliscas », bromeaba Picasso 27 December 1968, p. 97 no! And 280 ( illustrated, p. 112 ( illustrated, pl XXth Century artists, Henri Matisse and Delacroix..., January-March 1964, pp ” ) set to break the all-time record for most expensive ever. Other great artists, January-February 1969, pp Cuando Matisse murió me dejó como legado a sus »... D ’ Alger '' de Slim O. sur Pinterest incorrect title ) sur., Paris, 1960, p. 44 ( detail illustrated in color, p. 361 ( illustrated in,. P. 257, pl, galerie Louise Leiris ( Daniel-Henry Kahnweiler ), Paris, 1996, p. 361 illustrated... Varios de los cuadros de esta forma. [ 5 ] ​ la... February-June 2009, pp Vienna, 2006, p. 118 ( illustrated, fig Mujeres de Argel en su de! Sidney Janis Gallery, European XXth Century artists, January-February 1969, pp color, p. 354 ( illustrated fig! 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